Boy Genius

Illustration from Norman Rockwell's second year as a professional artist. He was all of 19 years old.

Spending time in the Berkshires this week, I got to wondering what artist might be identified with this area.

Norman Rockwell is most famous for the cover illustrations he did for The Saturday Evening Post. Born in New York, he attended both the National Academy of Design and the Art Students League. By age 18, he had a published book illustration to his credit. That year he was hired as an illustrator for Boys’ Life. At 19, he was promoted to be their art editor, in which role he did his first cover illustrations.

It's absurd to try to choose a favorite from his many illustrations for the Saturday Evening Post. Rockwell layered images rather than trying to create a full-dimension space; this is a great example of that technique.

At age 21, he submitted his first cover illustration to the Saturday Evening Post.He was published eight times total on the Post’s cover within that first year. Over his career, Rockwell did 323 original covers for the Saturday Evening Post.

Rockwell painted his most famous works, the Four Freedoms series, in 1943. It took him seven months. The series was inspired by a speech by President Roosevelt, in which he described four principles for universal rights.

When he wanted to create a fully realized space, however, he had the chops. Freedom from Want's Puritanical white-on-white tablecloth brings the faces into focus, and they are an essay in optimism in the dark days of WWII. 

In 1953, Rockwell and his family moved to Stockbridge, Massachusetts. From 1961 until his death in 1978, Rockwell was a member of the Monday Evening Club, a men's literary group based in Pittsfield, Massachusetts, which is where my daughter lives, and where I regularly stop on my trips back and forth to Maine.

Rockwell's portrait of his adopted Stockbridge, MA, would do any landscape painter proud.

The early part of the 20^th century is often called the Golden Age of Illustration. Why were so many fine 20^thcentury illustrators able to do such fine work at such young ages? In part, there was an expectation that people in their late teens were fully formed adults, capable of bearing adult responsibilities. In part, the schools were teaching traditional drafting and drawing.

Message me if you want information about next year’s workshops.-*

Medicine's Michelangelo

Watercolor of arteries of the human head shows Netter's understanding of the humanity underneath the human anatomy.

Dr. Frank H. Netter was the illustrator of one of my favorite—and most well-thumbed books—the Atlas of Human Anatomy. His is a wonderful cautionary tale for those of you who think you can’t make a living in art.

A native New Yorker, Netter grew up wanting to be an artist. He studied at the National Academy and the Art Students League. It was the tail end of the Golden Age of Illustrating, and he was doing work for the Saturday Evening Post and the New York Times out of high school.

However, Netter’s parents were immigrants, and they had no truck with the idea of their son being an artist. Mama wanted him to get a real job, so he went to medical school.

The most-thumbed page in my copy is his painting of back muscles. It's saved me from making dumb mistakes countless times.

“This was in 1933—the depths of the Depression—and there was no such thing as medical practice,” he recalled. “If a patient ever wandered into your office by mistake, he didn't pay.” In a deliciously ironic twist, Netter was forced to fall back on art to supplement his income as a doctor. After an advertising executive paid him $7500 for a series of five illustrations—more than he could earn in a year of practicing—he gave up medicine.

In 1936, Netter did his first commercial work for the Swiss pharmaceutical company CIBA. This fold-up illustration of a heart (to promote digitalis) proved very popular, and grew into a series. Eventually they were distributed as cards wrapped in a folder with advertising content. This ultimately morphed into his Atlas of Human Anatomy.

But today I'm going in to have my digestive tract inspected... parts of it should look about like this, I imagine.

My edition of the Atlasincludes about 600 color plates. This is a fraction of the 4,000 illustrations he did over his lifetime. The bulk of these were owned by CIBA and its successor, Novartis.

Netter’s immigrant parents would have been astonished at the legacy left by their artist son. Wealthy during life, he is remembered today as one of the leading medical educators of his time. His book is faithfully revised by a team of medical experts, and you can now buy a subscription to it online.

While you’re reading this, I’m at Highland Hospital having a colonoscopy and an endoscopy. When I get the all-clear, I’m leaving for Maine. Come join me! I have two openings left for my 2014 workshop in Belfast, ME. Information is available here.